{"id":40123,"date":"2023-12-18T09:51:34","date_gmt":"2023-12-18T02:51:34","guid":{"rendered":"https:\/\/fikom.unpad.ac.id\/public-lecture-of-television-and-film-studies-program-with-ari-ernesto-purnama-ph-d-assistant-professor-of-cinema-studies-at-oregon-university\/"},"modified":"2024-11-19T10:07:06","modified_gmt":"2024-11-19T03:07:06","slug":"public-lecture-of-television-and-film-studies-program-with-ari-ernesto-purnama-ph-d-assistant-professor-of-cinema-studies-at-oregon-university","status":"publish","type":"post","link":"https:\/\/fikom.unpad.ac.id\/en\/public-lecture-of-television-and-film-studies-program-with-ari-ernesto-purnama-ph-d-assistant-professor-of-cinema-studies-at-oregon-university\/","title":{"rendered":"Public Lecture of Television and Film Studies Program with Ari Ernesto Purnama, Ph.D., Assistant Professor of Cinema Studies at Oregon University"},"content":{"rendered":"<p><span style=\"font-weight: 400;\">The Television and Film Studies Program of the Faculty of Communication Sciences, Padjadjaran University, once again presents a public lecture with international speakers, namely Ari Ernesto Purnama, Ph.D., who serves as an <\/span><i><span style=\"font-weight: 400;\">Assistant Professor of Cinema Studies<\/span><\/i><span style=\"font-weight: 400;\"> at <\/span><i><span style=\"font-weight: 400;\">Oregon University<\/span><\/i><span style=\"font-weight: 400;\">. Kuliah umum kali ini bertajuk &#8221; <\/span><i><span style=\"font-weight: 400;\">The Methodology and Methods for Analyzing Film Form &amp; Style: Examining Camera Movement in Narrative Films<\/span><\/i><span style=\"font-weight: 400;\">.&#8221; This event was moderated by Annisa Winda Larasati as a lecturer in Television and Film, and took place on December 15, 2023, at 13.00 WIB, in the Oemi Abdurachman Room, Faculty of Communication Sciences, Universitas Padjadjaran. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">The presentation session by Kang Ari departed from the methodology used to study films, namely <\/span><i><span style=\"font-weight: 400;\">Poetics of Cinema<\/span><\/i><span style=\"font-weight: 400;\">It is a critical approach that looks at film as an art form. This approach applies the method of   <\/span><i><span style=\"font-weight: 400;\">bottom-up<\/span><\/i><span style=\"font-weight: 400;\">  It starts from an in-depth observation and understanding of the movie as a whole. The main focus is to uncover the operating system that governs the construction of film objects. By detailing the arrangement of forms and styles, the reviewer can explore the functions and aesthetic effects arising from the application of these operating systems. Thus,     <\/span><i><span style=\"font-weight: 400;\">Poetics of Cinema<\/span><\/i><span style=\"font-weight: 400;\"> provides a comprehensive analytical framework to analyze and understand the creative aspects of film production, paying particular attention to how elements such as <\/span><i><span style=\"font-weight: 400;\">Mise en sc\u00e8ne<\/span><\/i><span style=\"font-weight: 400;\">, cinematography, <\/span><i><span style=\"font-weight: 400;\">editing<\/span><\/i><span style=\"font-weight: 400;\">and sound, can interact to create a profound aesthetic experience.<\/span> <span style=\"font-weight: 400;\">Furthermore, Kang Ari explained that <\/span><i><span style=\"font-weight: 400;\">camera movement<\/span><\/i><\/p>\n<p><span style=\"font-weight: 400;\">  is often overlooked by the audience, even though it is one of the important aesthetic aspects in cinematography. According to Kang Ari,   <\/span><i><span style=\"font-weight: 400;\">camera movement<\/span><\/i><span style=\"font-weight: 400;\"> can add an artistic and emotional dimension to the audience&#8217;s cinematic experience through camera movements that are reflective or respond to certain events or situations in a scene. <\/span><i><span style=\"font-weight: 400;\">Camera movement<\/span><\/i><span style=\"font-weight: 400;\">  not only functions as a recording tool or image presenter, but also becomes an integral part of the narrative or message that the filmmaker wants to convey. Kang Ari uses the term   <\/span><i><span style=\"font-weight: 400;\">reflexive camera movement<\/span><\/i><span style=\"font-weight: 400;\"> to refer to camera movements that are performed in such a way.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">At the end of the session, Kang Ari gave a message to the students to watch more movies, including local and foreign films, by paying attention to the aesthetic aspects, not just the meaning. Kang Ari also encouraged students to not only focus on film production, but also maintain the quality of film studies as an integral part of self-development. For him, both should work together to help filmmakers create works that have vision, originality, and innovation.  <\/span><span style=\"font-weight: 400;\">&#8220;Whatever form it takes, try to create. There is no need to get hung up on the equipment. Focus on ideas and  <\/span><i><span style=\"font-weight: 400;\">story<\/span><\/i><span style=\"font-weight: 400;\">,&#8221; said Kang Ari at the end of the public lecture. (TDF)<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Television and Film Studies Program of the Faculty of Communication Sciences, Padjadjaran University, once again presents a public lecture with international speakers, namely Ari Ernesto Purnama, Ph.D., who serves as an Assistant Professor of Cinema Studies at Oregon University. &hellip; <\/p>\n","protected":false},"author":1001034,"featured_media":39075,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[860],"tags":[875,1058],"class_list":["post-40123","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-latest-news","tag-fikom-unpad-en","tag-public-lecture"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Public Lecture of Television and Film Studies Program with Ari Ernesto Purnama, Ph.D., Assistant Professor of Cinema Studies at Oregon University &#8211; 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